翻訳と辞書 ・ Back from the Edge
・ Back from the Front
・ Back from the Gig
・ Back from the Grave
・ Back from the Grave (series)
・ Back from the Grave, Volume 1 (CD)
・ Back from the Grave, Volume 1 (LP)
・ Back from the Grave, Volume 10 (LP)
・ Back from the Grave, Volume 2 (CD)
・ Back from the Grave, Volume 2 (LP)
・ Back from the Grave, Volume 3 (CD)
・ Back from the Grave, Volume 3 (LP)
・ Back from the Grave, Volume 4 (CD)
・ Back from the Grave, Volume 4 (LP)
・ Back from the Grave, Volume 5 (LP)
・ Back from the Grave, Volume 6 (LP)
・ Back from the Grave, Volume 7
・ Back from the Grave, Volume 8 (CD)
・ Back from the Grave, Volume 8 (LP)
・ Back from the Grave, Volume 9 (LP)
・ Back from the Grave, Volumes 1 and 2 (CD)
・ Back from the Grave, Volumes 3 and 4 (CD)
・ Back from the Grave, Volumes 5 and 6 (CD)
・ Back from the Grave, Volumes 9 & 10 (CD)
・ Back from the Klondike
・ Back from the Tomb
・ Back from Vacation
・ Back garden
・ Back Gate, Arkansas
・ Back Hand
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| Back from the Grave, Volume 6 (LP) ： ウィキペディア英語版 |
Back from the Grave, Volume 6 (LP)
''Back from the Grave, Volume 6 (LP)'' is the sixth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records.〔 - LP Liner notes and cover artwork.〕 It was released in 1986.〔 In keeping with all of the entries in the series, and as indicated in the subheading which reads "17 Loud Unpsychedelic Wild Mid-60s Garage Punkers," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals.〔 The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides.〔〔 The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music.〔 The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd which depicts the customarily vengeful deeds of revivified zombies, but this time, in a version of the future based on a retro-vision from the past, replete with flying saucers, these defiantly "earthly" creatures have taken Crypt records' makeshift fighter-plane for a joyride into orbit for the purpose of not-so-safely depositing their "musically heterodox" victims into the outer reaches of space.〔〔
The set begins with "My World Is Upside Down" by the Shames from Ipswich, Massachusetts, who are also later represented on the set with "Special Ones."〔 Two Michigan bands, Keggs from Detroit, who perform "Girl" and the Ascots from Pontiac ("So Good"), are also included on side one.〔 Side two begins with "Varsity Club Song" by the Golden Catalinas from La Crosse, Wisconsin followed by "Say You Love Me," by Billy & the Kids from Wenatchee, Washington.〔 "Come on Mary" is by the Abandoned "Love's a Fire" by the Werps. The set concludes with "Through the Night" by The Trojans Of Evol.〔
==Track listing==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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